Titlebook: Charting Scottish Tourism and the Early Scenic Film; Access, Identity and Samantha Wilson Book 2020 The Editor(s) (if applicable) and The A

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I Never Leave Home Without It: Amateur Filmmaking in the Interwar Period,lass, collection and nature appreciation during the interwar period. Amateur films are a rich and often untapped source of historical evidence. They can reveal the degree to which individuals had internalised the tourist industry’s primary claims about the importance of regional travel in relation t

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https://doi.org/10.1007/978-3-030-39153-9Scenic Filmmaking; Social Class; Spatial Identities; Nature Appreciation; Travel; Tourism; Scotland

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Samantha WilsonExplores the relationship between cinemagoing, scenic filmmaking and the Scottish travel and tourism industry.Addresses key issues of class, access, and identity across different areas of Scotland.Pro

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Convex Analysis and Hyperplasticity,on to be embedded within the tourism industry in Scotland between the late eighteenth and early twentieth centuries. Several representational technologies played a role in this process including photography and film. The latter, in the guise of the scenic film, renegotiated one of the central debate

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Classical Elasticity and Plasticity,ions of Scotland. The chapter is especially interested in the manner in which these early, often sponsored, films replicated the patterns established by the guidebook genre and emphasised the importance of collection and juxtaposition, whether of landscapes or communities. By the turn of the twentie