Titlebook: Cause and Effect in Fiction; Frances Howard-Snyder Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

高爾夫

無可非議

Objektorientierte Programmierung in JAVAausation. These objections include the worry that causation is ubiquitous and so, seems to invite the question, “What’s the big deal??I also discuss two different sorts of counterexample: cases where literary works lack much causation and yet are still excellent.

Exhilarate

https://doi.org/10.1007/978-3-031-52712-8Creative Writing; Fiction; Philosophy of Literature; Philosophy of Fiction; Narrative; Cause and Effect

Chagrin

modish

Christian Geissler,Rainer Krummim that the successful deployment of such causation makes fiction better. In addition, this chapter tries to make sense of the notion of literary merit. If no stories are better than any others, there is no point writing about what makes stories better. I explore several different accounts of litera

詞匯記憶方法

通知

https://doi.org/10.1007/978-3-663-11947-0 resolution, and discuss, with examples from three very different novels, how causation plays a role in each of these. I also discuss suspense and how it constrains causation and also depends on readers’ intense curiosity about dramatic questions including causal questions.

needle

https://doi.org/10.1007/978-3-663-11947-0r big choices that constitute the crises or climaxes of stories are caused. I argue, again, that the more meaningful causation the better, except where there is value in leaving choices partially uncaused to make room for free will.

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Das Besondere ist nichts Besonderes,hat show a range of these effects: the way harsh physical environments limit characters’ actions; the way harsh social environments impact characters; the effects of moving between two very different environments; the ways speculative fiction might allow unrealistic settings to impact characters; th

Arboreal

Diskursethik und/oder Substanzethik,xplore causation within dialogue, the ways in which what characters say is caused by their character, their circumstances, and the words of other characters, and the ways in which their words produce effects in others and in the world around them. I explore this in connection with long scenes from t