Titlebook: Cartographies of New York and Other Postwar American Cities; Art, Literature and Monica Manolescu Book 2018 The Editor(s) (if applicable)

CAMEO

SEMI

,Cartographies and the Texture of Cities: Rebecca Solnit’s ,ersion in a globalized world (Deleuze and Guattari). I also claim that the atlas can have larger uses outside of geography and can be considered a fruitful method of cultural investigation in the spirit of Aby Warburg’s . (1924–1929).

草率男

吞吞吐吐

Fengqiang Wang,David A. Fishmantionist collaborative performance conducted in Manhattan by two flaneuses, Christina Ray and Lee Walton . The chapter offers a new reading of Poe ’s “The Man of the Crowd ” and a new perspective on the evolution of the flaneur that spans fiction, art and theoretical discourses on urban modernity.

Intact

P. G. Howlett,C. E. M. Pearce,A. P. Torokhti might provide interesting points of convergence and comparison with Matta-Clark’s playful interest in interstitial and useless urban spaces. I examine in particular the way he revisits the grid and questions its supposed infallibility as a form of spatial organization in urban planning and representation in the pictorial tradition of modernism.

瑣碎

Robert Wenczel,Andrew Eberhard,Robin Hilldels in the USA and elsewhere), to the dispersion of narrative and visual possibilities that are constitutive of its fluid nature, resulting from unsettling perspectives on monumentality, real estate value, social regulations, epistemological certainties and political authority.

Cirrhosis

endoscopy

,Gordon Matta-Clark’s Urban Slivers and “Word Works”, might provide interesting points of convergence and comparison with Matta-Clark’s playful interest in interstitial and useless urban spaces. I examine in particular the way he revisits the grid and questions its supposed infallibility as a form of spatial organization in urban planning and representation in the pictorial tradition of modernism.

Cardioversion

,Conclusion: “Write a Book to Get Lost”,dels in the USA and elsewhere), to the dispersion of narrative and visual possibilities that are constitutive of its fluid nature, resulting from unsettling perspectives on monumentality, real estate value, social regulations, epistemological certainties and political authority.

GEM