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Titlebook: Carson McCullers in the Twenty-First Century; Alison Graham-Bertolini,Casey Kayser Book 2016 The Editor(s) (if applicable) and The Author(

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31#
發(fā)表于 2025-3-26 21:19:49 | 只看該作者
32#
發(fā)表于 2025-3-27 01:52:50 | 只看該作者
Reengineering the Modularity of OO Systemser Mary Tucker, her husband Reeves, and Annemarie Clarac Schwarzenbach, these transcripts also provide insight into several texts, including two autobiographical pieces written during the final decade of her life (. and “The Flowering Dream”).
33#
發(fā)表于 2025-3-27 06:39:55 | 只看該作者
Higher Order Data Flow Analysisafter McCullers’ death. McCullers’ posthumous autobiography is an under-recognized work of women’s life writing that showcases the sociality of being and writing, both at the level of its thematics and material production.
34#
發(fā)表于 2025-3-27 12:20:13 | 只看該作者
35#
發(fā)表于 2025-3-27 17:29:38 | 只看該作者
36#
發(fā)表于 2025-3-27 21:11:46 | 只看該作者
37#
發(fā)表于 2025-3-27 22:02:40 | 只看該作者
Higher Order Data Flow Analysis privileged for unprivileged, only to produce another form of repression. Matsui concludes that Miss Amelia’s queerness shows the possibility of alternative subjectivity beyond any boundaries or categories.
38#
發(fā)表于 2025-3-28 06:08:33 | 只看該作者
Optimal Interprocedural Program Optimizationic philosophy, ableist ideals of U.S. citizenship, and the U.S. South’s cultural impulse toward social segregation—all work together to collectively structure both the plot’s development toward its modernist ethos and the narrative structure that expels Antonapoulos’s mentally deviant character to the margins of the text.
39#
發(fā)表于 2025-3-28 06:40:08 | 只看該作者
https://doi.org/10.1007/3-540-49639-4, thus simultaneously challenging and reinforcing the dominant order. The novel’s persistent reaffirmation of Jester’s inherent innocence, Slaven argues, illustrates how narratives of American innocence often subsume narratives of social progress in a way that inhibits more vigilant reformation efforts.
40#
發(fā)表于 2025-3-28 10:41:26 | 只看該作者
,“Impromptu Journal of My Heart”: Carson McCullers’ Therapeutic Recordings, April–May 1958,er Mary Tucker, her husband Reeves, and Annemarie Clarac Schwarzenbach, these transcripts also provide insight into several texts, including two autobiographical pieces written during the final decade of her life (. and “The Flowering Dream”).
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