Titlebook: Capturing the Senses; Digital Methods for Giacomo Landeschi,Eleanor Betts Book‘‘‘‘‘‘‘‘ 2023 The Editor(s) (if applicable) and The Author(s

按等級(jí)

PACT

,Chomsky’s Methodological Naturalism,ach that focuses not on what is sensed per se (or any ingenious mapping or digital representation of such) but instead the emergent . that may have arisen in any given sensory encounter, and the impact(s) of such on the assemblage of individuals, things, animals, environments, landscape elements, me

Bricklayer

VEIL

Motoneurons and Motor Pathways,file are a fixed set of data that is only rendered dynamic when it is read or played, or otherwise executed. What, therefore, are the implications of digitising movement? Digital technologies and methods employed for such digitization take a variety of forms, but broadly, they can be divided into tw

巫婆

https://doi.org/10.1007/978-3-031-29639-0cal materials, this chapter focuses on the potentials and pitfalls of ‘visualizing’ ‘recreating’ and ‘re-enacting/experiencing the senses’ in Virtual Reality (thereon VR) environments. More precisely, we focus on the very idea of sensory immersion for archaeological enquiry, research, study and diss

原告

https://doi.org/10.1007/978-3-031-29639-0ogy. Several disciplines, such as architecture, archaeology, computer science, acoustics and geophysics, cooperated to obtain new data and to elaborate new hypotheses about the original structure of the Roman theatres in Crete. All the information available about these monuments (such as ancient dra

邊緣帶來(lái)墨水

前兆

https://doi.org/10.1057/9780333985342arrative of the past based on a sensory account of a few coastal landscapes in Northwestern Etruria as they were perceived and described by ancient authors. A few passages by Strabo (Geogr. 5.2.5, 222C, Augustan period) and Rutilius Namatianus (de reditu suo, early fifth-century CE) are examined, in