Titlebook: Capital Punishment and the Criminal Corpse in Scotland, 1740–1834; Rachel E. Bennett Book‘‘‘‘‘‘‘‘ 2018 The Editor(s) (if applicable) and T

綠州

Wissenschaftliche Ausgangsbedingungen,e role of the key protagonists in the theatre of the gallows including the condemned criminals, the crowds gathered to witness the spectacle unfold and the scaffold authorities who were responsible for carrying out executions. It demonstrates that this period was one of fundamental transition in how

男生如果明白

ascetic

強(qiáng)有力

parallelism

破布

aesthetic

Contextualising the Punishment of Deathftermath of the 1745 Jacobite Rebellion; the 1780s, when the temporary cessation of transportation impacted upon the courts’ ability to sentence suitably severe punishments that fell short of death for potentially capital crimes; and the early nineteenth century, a period of rising levels of capital

BOON

Scottish Women and the Hangman’s Noosevestigation into the crimes they committed, including an analysis of motives, victims and chosen method of killing in murder cases and the aggravating circumstances discernible in the small number of cases where women were executed for property offences. Combining this examination with a reading of

獨特性

The Spectacle of the Scaffolde role of the key protagonists in the theatre of the gallows including the condemned criminals, the crowds gathered to witness the spectacle unfold and the scaffold authorities who were responsible for carrying out executions. It demonstrates that this period was one of fundamental transition in how

Ordeal

A Fate Worse than Death? Dissection and the Criminal Corpsetigates contemporary beliefs and fears surrounding the dead body in this period, particularly those over its disposal. Furthermore, it highlights instances where criminals and their relatives were more preoccupied with the fate of the body than with the execution itself. However, it demonstrates tha