Titlebook: Capetian Women; Kathleen Nolan Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 France.history.manuscripts.medieval hi

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Constance of Arles: A Study in Duty and Frustration, marshal royal resources and prevent fragmentation of the king’s authority reflected genuine concern for the royal family’s needs. But the critical male clerics who commented upon her actions unfavorably contrasted her concern for royal treasures with Robert’s charity; when she opposed him and their

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The Creation of a Crone: The Historical Reputation of Adelaide of Maurienne,y for her, William announced that he was already betrothed to Adeliza of Louvain (d. 1151), widow of King Henry I of England (r. 1100–35). The outraged Adelaide, in consultation with her ladies, arranged to have William brought into her garden where she pushed him deep into a cave. Inside the cave w

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,Queenship and Kinship in the French ,: The Example of Blanche of Castile and Vienna ?NB 2554,ntercessor, or procreator. Together with the vernacular French text, these female images help us to distinguish Vienna ?NB 2554 from the more clearly “male” Latin .. Given these themes, I have concluded that the intended primary viewer and, indeed, the most likely patron of Vienna ?NB 2554 was Blanc

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Historical Ironies in the Study of Capetian Women,ted both conceptual and social space for powerful women. Thus these studies also explore the contexts in which both the parameters of royal women’s activities and the office of queenship were construed and contested as the shape and structure of the French kingdom evolved. In so doing, they disclose

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Annular Erythema: New and Revisited Variants marshal royal resources and prevent fragmentation of the king’s authority reflected genuine concern for the royal family’s needs. But the critical male clerics who commented upon her actions unfavorably contrasted her concern for royal treasures with Robert’s charity; when she opposed him and their

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Frederick T. Koster,Howard Levyntercessor, or procreator. Together with the vernacular French text, these female images help us to distinguish Vienna ?NB 2554 from the more clearly “male” Latin .. Given these themes, I have concluded that the intended primary viewer and, indeed, the most likely patron of Vienna ?NB 2554 was Blanc

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