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Titlebook: Capetian Women; Kathleen Nolan Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 France.history.manuscripts.medieval hi

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發(fā)表于 2025-3-21 19:09:09 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Capetian Women
編輯Kathleen Nolan
視頻videohttp://file.papertrans.cn/222/221383/221383.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Capetian Women;  Kathleen Nolan Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 France.history.manuscripts.medieval hi
描述Never before have the women of the Capetian royal dynasty in France been the subject of a study in their own right. The new research in Capetian Women challenges old paradigms about the restricted roles of royal women, uncovering their influence in social, religious, cultural and even political spheres. The scholars in the volume consider medieval chroniclers‘ responses to the independent actions of royal women as well as modern historians‘ use of them as vehicles for constructing the past. The essays also delineate the creation of reginal identity through cultural practices such as religious patronage and the commissioning of manuscripts, tomb sculpture, and personal seals.
出版日期Book 2003
關(guān)鍵詞France; history; manuscripts; medieval history; women
版次1
doihttps://doi.org/10.1007/978-1-137-09835-1
isbn_softcover978-1-349-63509-2
isbn_ebook978-1-137-09835-1Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2003
The information of publication is updating

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The Tomb of Adelaide of Maurienne and the Visual Imagery of Capetian Queenship,as more traditional markers such as signatures on charters.. Much of the discussion has centered on manuscripts, which from the late twelfth century was a medium much involved with the construction of reginal imagery and ideology, as three essays in the current collection cogently argue. Another med
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A Capetian Queen as Street Demonstrator: Isabelle of Hainaut,th a brilliant, difficult, contradictory husband who was almost completely absorbed in the work of kingship. Philip’s first wife, Isabelle of Hainaut, turned openly to their people for support. She thus took an almost unique step in the annals of queenship, a spectacular public action that resolved
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The Ingeborg Psalter: Queenship, Legitimacy, and the Appropriation of Byzantine Art in the West,atred for the young princess that, immediately following their coronation and anointing at Amiens Cathedral the next day, he demanded the return of his young bride to Denmark.. Whatever caused Philip’s abrupt and bizarre behavior remains a mystery;. but at an assembly at Compiègne in November 1193,
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,Blanche of Castile and Facinger’s “Medieval Queenship”: Reassessing the Argument,f France in official documents after an apogee of power for Capetian royal wives, beginning with the reign of Adelaide of Maurienne (r. 1115–37). Facinger concluded that over time, French queens became private individuals, distanced from the king’s official curia. Queenly influence on government was
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,Queenship and Kinship in the French ,: The Example of Blanche of Castile and Vienna ?NB 2554,teenth century that were prepared for members of the Capetian royal family.. John Lowden, author of an impressive recent study of the ., describes Vienna ?NB 2554 as “one of the supreme achievements of medieval art.”. My contribution to scholarship on Vienna ?NB 2554, and to the study of Capetian wo
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Isabelle of France and Religious Devotion at the Court of Louis IX,f its members who resided principally in Paris. In someone like Queen (later, queen dowager) Blanche of Castile (1188–1252) they took the form of support for the Cistercian order and an overriding concern for the spiritual welfare of her children.. In her son, Louis IX (r. 1226–70), they embraced ar
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