Titlebook: Canadian Science Fiction, Fantasy, and Horror; Bridging the Solitud Amy J. Ransom,Dominick Grace Book 2019 The Editor(s) (if applicable) an

真實(shí)的你

Indigenous Futurist Film: Speculation and Resistance in Jeff Barnaby’s , and ime. . (2010) explores forced assimilation and resistance through sf. Both films are concerned with transforming popular images and familiar tropes from Gothic, fantasy, horror, and science fiction, which widens the scope of storytelling and subverts the idea of a homogeneous Indigenous culture.

interference

MAOIS

Cruising Canadian SF’s Queer Futurity: Hiromi Goto’s , and Larissa Lai’s e tropes of sf generally, and the legacy of feminist sf in particular, to raise the question of what it means to be human and why, historically, the attribution of humanity has been so unevenly allocated, thus addressing a central question of global sf today.

right-atrium

Crossing the (Trans)Gender Bridge: Exploring Intersex and Trans Bodies in Canadian Speculative Fictichoices—to bridge communities, be it cis and trans, intersex, other queer, or geopolitical identities. The chapter argues that cisgendered appropriations of trans, intersex, and other identities is a problematic instance of (mis)representation.

微生物

2569-8826 r works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement..978-3-030-15687-9978-3-030-15685-5Series ISSN 2569-8826 Series E-ISSN 2569-8834

蝕刻術(shù)

Lymphoma and the Nervous System,nts in each text are inextricably linked to the Anishinaabe concept of .—returning to ourselves—and that their intermingling of past and present suggests ways of finding balance in an unbalanced world.

笨拙的我

Reconciliation, Resistance, and ,: Re-imagining Canadian Residential Schools in Indigenous Speculatints in each text are inextricably linked to the Anishinaabe concept of .—returning to ourselves—and that their intermingling of past and present suggests ways of finding balance in an unbalanced world.

Ondines-curse

GLEAN

https://doi.org/10.1007/978-3-031-56658-5he biological and the technological, the physical and the virtual, the literal and the figurative. Divisions are artificially imposed, and Watts ruptures the biocentric fallacy that life will be forever confined to elements arising from organic chemistry: life, the text stresses, is nothing more than an expression of code.

座右銘