Titlebook: Canadian Music and American Culture; Get Away From Me Tristanne Connolly,Tomoyuki Iino Book 2017 The Editor(s) (if applicable) and The Auth

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W. B?swald,R. Sittl,N. Griessingerion of British rock dinosaurs like Genesis and Yes, but in the late 1970s which saw Saga’s beginnings, the UK music scene was a post-punk world that partly defined itself through vilifying progressive rock. At the same time in the US, radio play was guitar-centred. Saga were both unwilling and unabl

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