Titlebook: C. H. Sisson Reconsidered; Victoria Moul,John Talbot Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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,C. H. Sisson in Exile, or, Versions and Perversions of Ovid’s ,eir profound influence on him (e.g. “Horace”, “Eclogue”) (As he says in the preface to his . [Manchester: Carcanet Press, 1996], xi: “My own verse has been profoundly affected by the interests and aspirations indicated by my choice of matter to translate, and what I have been able to do, and such un

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,‘Magnificent Anachronism’: Sisson in the Seventeenth Century, a year (circa 1932) I must have been contemporary,’ he famously said, self-identifying with a moment awkwardly positioned at the tail-end of high modernism’s first wave. In the autobiographical essay ‘Natural History’ Sisson goes on to explain how this early sense of being out of his time drove him

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Identity and Incarnation in the Poetry of C. H. Sisson, a religious poet than in any other respect. This is not to imply that his only major poems are religious ones, or that his best verse is the most explicitly religious—though there may be some truth in this—but rather that his poetic identity is assembled around questions of faith; that the challeng

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2946-3017 ation studies and early modern literature as well as modern English poetry, and concludes with a more personal essay on Sisson’s work by Michael Schmidt, his publisher..978-3-031-14830-9978-3-031-14828-6Series ISSN 2946-3017 Series E-ISSN 2946-3025

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https://doi.org/10.1007/978-981-10-2784-0in 1921) attract him as much as those of Hamlet. In a poem elucidating Hamlet’s dark sketch of mankind’s better qualities, which he himself is unable to appreciate through a veil of melancholy, Sisson appears to identify with this feeling of being detached from one’s own moment: ‘The man of quality

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