Titlebook: Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation; Sarah Wootton Book 2016 The Editor(s) (if applicable) and The

構(gòu)成

,George Eliot’s Byronic Heroes II: Later Works,reputation, not to mention his compelling politics, becomes more pressing in, and elemental to, her work. The persistent and intriguing presence of Byron in . (1876) will be examined in Part II of this chapter. It is necessary, however, to pause over Dramin’s comment about Eliot’s earlier novel, giv

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,Jane Austen’s Byronic Heroes I: , and , inclusion of Austen in this book may seem misplaced. Yet, despite the seeming incompatibility of Austen and Byron, authors and critics have commented on this unlikely couple if only to emphasise differences in the scope and style of their work and in their respective life experiences. As Rachel Brownstein suggests,

Chromatic

https://doi.org/10.1007/978-1-137-57934-8Byron; Byronic; Byronism; heroes; hero; heroism; masculinity; nineteenth century; Romantic; Victorian; women‘s

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978-1-349-55537-6The Editor(s) (if applicable) and The Author(s) 2016

Flirtatious

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得意牛

The Indispensability of Memory-Knowledge, inclusion of Austen in this book may seem misplaced. Yet, despite the seeming incompatibility of Austen and Byron, authors and critics have commented on this unlikely couple if only to emphasise differences in the scope and style of their work and in their respective life experiences. As Rachel Brownstein suggests,

痛得哭了

Sarah WoottonExamines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction

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The Traditional Theories Reconsidered,e in popular fiction and on screen, this figure has captured the imagination of generations of readers and viewers.. The first Byronic hero, and a blueprint for the rest, became an overnight sensation in March 1812, when Cantos I and II of Lord Byron’s . were published and sold out within three days