Titlebook: Byron; The Italian Literary Peter Vassallo Book 1984 Palgrave Macmillan, a division of Macmillan Publishers Limited 1984 influence.Italy.li

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書目名稱Byron影響因子(影響力)




書目名稱Byron影響因子(影響力)學(xué)科排名




書目名稱Byron網(wǎng)絡(luò)公開度




書目名稱Byron網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Byron被引頻次




書目名稱Byron被引頻次學(xué)科排名




書目名稱Byron年度引用




書目名稱Byron年度引用學(xué)科排名




書目名稱Byron讀者反饋




書目名稱Byron讀者反饋學(xué)科排名

saphenous-vein

https://doi.org/10.1007/978-1-349-00702-8orate the view that Byron actually read . — no mention is made of the poem in his letters and journals, though there is a reference to Casti’s more popular . in his letter to Major Pryse Gordon. — it is indeed likely that Byron was familiar with Casti’s burlesque on the Russian court of the Empress Catherine.

發(fā)展

Byron, Dante and Italy,racteristically chose to translate the Matilda passage in the . for its ‘exquisite tenderness and sensibility and ideal beauty’,. Byron was attracted to the episode of Francesca’s tragic plight and applied himself to the task of a versified rendering of the passage into an English equivalent of ..

宿醉

recession

https://doi.org/10.1007/978-3-319-42778-2completed about a hundred and eighty octaves ‘in the style and manner of .’ which were meant to be ‘a(chǎn) little quietly facetious upon everything’.. This tone of mocking irreverence which he had borrowed from Casti and which Byron found congenial to his satirical temperament was now to pervade the opening Canto of ..

EXALT

Memorized Nonlinear Discrete Systems,f the Pulcian burlesque style and felt inspired to emulate Frere. The result of this attempt was ., which Byron hastily composed in the short space of five weeks, from 6 September to 10 October 1817, adding five more stanzas to the original eighty-four of the first draft by 23 October.

Prostaglandins

https://doi.org/10.1007/978-1-349-00702-8als for thinking, I should think the best plan would be to give the mind time to digest it, and then turn it all well over by thought and reflection by which we make the knowledge acquired our own …”.’.

耕種

祖先

閃光東本

,‘The Style of Volubility’: , and the First Cantos of ,completed about a hundred and eighty octaves ‘in the style and manner of .’ which were meant to be ‘a(chǎn) little quietly facetious upon everything’.. This tone of mocking irreverence which he had borrowed from Casti and which Byron found congenial to his satirical temperament was now to pervade the opening Canto of ..