Titlebook: Byron and the Rhetoric of Italian Nationalism; Arnold Anthony Schmidt Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010

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https://doi.org/10.1007/978-3-319-78051-1 a significant trend in Byron scholarship. Italian criticism, particularly that written during the nineteenth and early twentieth centuries, distinguishes itself from most Anglo-American criticism composed during the same period by consistently recognizing the political dimension of Byron and his wr

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Literary Language and War Memoirsn all glory and great enterprise,/Both first and second . [i.e., Rome] shall dare to equalize” (III.ix.38–44). This classical legacy bears powerful ideological connotations and strongly colored the national culture and character of the British nation as it evolved. From the importance of urban cultu

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Signals and Communication Technologye Byronic narrator. These included salons hosted in Coppet by Madame de Stael; in Florence by Countess Albany, the widow of the pretender “Bonnie Prince Charlie” and, more significant for Byron, the lover of neoclassical dramatist Vittorio Alfieri; and in Venice by Isabella Teotochi-Albrizzi and Mar

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