Titlebook: Byron; A Symposium John D. Jump (Professor of English) Textbook 1975Latest edition John D. Jump 1975 England.English literature.George Elio

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The Byronic Byron,t of his poetic output which has often, in recent years, been shovelled aside as no longer worth serious consideration, and as if it had only the most tenuous connection with . and those poems like . or . which can in some sort be considered pendants to it. No one nowadays is likely to quarrel with

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Byron and the Satiric Temper,lt to define. So far as it is an art it has form, or forms; but these have been so various that to define them in detail leaves the general nature of satire as elusive as ever. Perhaps it is best approached as a mood or temper, but even here the reference is necessarily wide. Most accounts have plac

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,Romance in Byron’s ,in,.and one of the principal themes of Byron criticism is that the impulse did not work for Byron. We are familiar with this impulse of romance in such major romantic works as . and .. Wordsworth celebrates in his poem the preservation of the ‘first/Poetic spirit of our human life’ (II. 260–1) which

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