Titlebook: Building a Representative Theater Corpus; A Broader View of Ni Angus Grieve-Smith Book 2019 The Editor(s) (if applicable) and The Author(s)

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https://doi.org/10.1007/978-3-642-11069-6 sizes. Are these differences due to social biases in the choice of theatrical texts for FRANTEXT, or the lack of availability of certain texts in the Digital Parisian Stage sample? When examined with one-way analysis of variation (ANOVA), differences in negation proved to have a significant relatio

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Geometric Figures on Grid Paper,ernet in the 1980s and 1990s. The original intent was to base it on a representative sample, but due to time constraints it was compiled using an unrepresentative “Principle of Authority.” For the period 1800–1815 the result is four texts chosen based on the subjective interests of literary historians.

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Some Stochastic Models in Immunology,The Digital Parisian Stage project offers a much more representative picture of the language of Parisian theater than any known corpus of the same period. Work is continuing on Part II of the project; when the corpus is complete it will provide a more reliable sample for historical studies of the French language.

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Book 2019. This book surveys?existing corpora that cover the nineteenth century,?lays out the issue of corpus representativeness in detail,?and, using a random sample of plays from this period,?presents two case studies of language in use in the Napoleonic era.?It presents a compelling argument for the compi

語源學(xué)

Book 2019 sample of plays from this period,?presents two case studies of language in use in the Napoleonic era.?It presents a compelling argument for the compilation and use of representative corpora in linguistic study, and will be of interest to those working in the fields of corpus linguistics, digital humanities, and history of the theater..

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Weighing in the Ternary Numeral System,ous ways, particularly by choosing a biased sample or by sampling from an inapplicable frame. An ideal corpus would have a balance of genres that matches the input that authors experience, and a corpus of theater is an initial step toward that ideal.

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https://doi.org/10.2991/978-94-91216-50-325)–455, 1995) connection of type frequency to analogical extension. Unfortunately, the concerns about representativeness raised in Chap. . apply to this study. Texts in the Digital Parisian Stage corpus have a significantly lower token frequency of . alone than those in FRANTEXT for 1800–1815.