Titlebook: Brodsky’s Poetics and Aesthetics; Lev Loseff (Professor of Russian Literature),Valen Book 1990 Palgrave Macmillan, a division of Macmillan

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Verhaltenswissenschaftliche GrundlagenThis article is mainly an attempt to understand the nature of disparity in Brodsky’s similes. It will explore the structural, semantic, poetic and conceptual aspects of his similes.

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Similarity in Disparity,This article is mainly an attempt to understand the nature of disparity in Brodsky’s similes. It will explore the structural, semantic, poetic and conceptual aspects of his similes.

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An Interview With Bella Akhmadulina, Bella Akhatovna, it seems to me that you are one of the few Russian poets who does not suffer from a ‘Brodsky complex’. How do you explain this apparent complex? Do you feel other poets suffer from it, or is it just my own fantasy?

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https://doi.org/10.1007/978-3-663-07968-2ysical poets. The recognition of this kinship, initially at least, is attributable, on thematic and historical grounds, to the presence of such names as John Donne and Mary Stuart in the titles of his major poetic compositions. Brodsky’s interest in Donne (and the historical period of the Metaphysic

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https://doi.org/10.1007/978-3-663-07968-2mon letters as well, and also that poetry in general, and Brodsky’s poetry in particular, always has political motifs — whether hidden or exposed — and that any text influences its reader’s political conduct in some measure. Brodsky is merely reminding us here of poetry’s autonomy and priority as a

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