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Titlebook: British and American Musical Theatre Exchangesin the West End (1924-1970); The “Americanization Arianne Johnson Quinn Book 2024 The Editor(

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樓主: FARCE
31#
發(fā)表于 2025-3-26 21:25:46 | 只看該作者
32#
發(fā)表于 2025-3-27 05:04:13 | 只看該作者
33#
發(fā)表于 2025-3-27 06:40:12 | 只看該作者
,Marktforschung für Praxen und ?rzte, Old Vic or the many Music Halls in London, the Lane became synonymous with musical theatre in the twentieth century. It staged spectacle productions and operettas beginning in the 1924, in part because of its large size and audience capacity, bolstered by its long tradition as a place of cultural significance.
34#
發(fā)表于 2025-3-27 10:18:33 | 只看該作者
https://doi.org/10.1007/978-3-658-06641-3ces and employed the large stage and theatrical mechanics of Drury Lane in such a way that they mimicked Hollywood films of the 1920s and 1930s, enhancing the Lane’s reputation for contemporary entertainment.
35#
發(fā)表于 2025-3-27 15:09:57 | 只看該作者
36#
發(fā)表于 2025-3-27 18:25:17 | 只看該作者
,Vorsicht, Fettn?pfchen! — Der Erstkontakt,stablished their reputation in London through their skilful navigation of both the pre- and post-World War II social world and political climate, allowing them to establish what one critic called their “dynasty” at Drury Lane.
37#
發(fā)表于 2025-3-27 22:16:54 | 只看該作者
Introduction, Old Vic or the many Music Halls in London, the Lane became synonymous with musical theatre in the twentieth century. It staged spectacle productions and operettas beginning in the 1924, in part because of its large size and audience capacity, bolstered by its long tradition as a place of cultural significance.
38#
發(fā)表于 2025-3-28 04:46:35 | 只看該作者
39#
發(fā)表于 2025-3-28 08:18:11 | 只看該作者
40#
發(fā)表于 2025-3-28 11:36:57 | 只看該作者
,Rodger’s and Hammerstein’s , and ,: Imported Americana,stablished their reputation in London through their skilful navigation of both the pre- and post-World War II social world and political climate, allowing them to establish what one critic called their “dynasty” at Drury Lane.
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