Titlebook: British Women‘s Writing from Bront? to Bloomsbury, Volume 2; 1860s and 1870s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2020 The Edi

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Book 2020tunities opening for women. Centrally, it reassesses key nineteenth-century female authors inthe context in which they first published while also recovering neglected women writers who helped.to shape the literary landscape of the 1860s and 1870s..

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British Women‘s Writing from Bront? to Bloomsbury, Volume 21860s and 1870s

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Paul E. Green,Abba M. Krieger,Yoram Windhe 1870s paid attention to the material factors (including money and employment) that affected women’s lives. It also outlines the content of the volume’s chapters, which confirm that cultural shifts and possible responses to the unknown are addressed across a range of literary modes in female-authored 1860s and 1870s fiction.

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https://doi.org/10.1007/978-0-387-28692-1 culture at the heart of Empire. A counter-movement is signalled, however, as the novel, albeit ambivalently, promotes women’s independent travel as dissent through the audacious mobility of its female anti-heroine.

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Promotion Policy and Management Pope argues, allows Marryat to explore radical ideas in what is, on the surface, a pantomimic text, but one that yields deeply subversive readings. In Leona she presents an 1870s heroine who comprehensively challenges prevailing notions of both femininity and sexuality.

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Marketing and Corporate Strategythe life of a horse,”’ Sewell produced more than an equine autobiography. She also powerfully reminded readers that horses . lives and were not machines; they were living beings worthy of kindness and care.

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