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Titlebook: British Television Drama; Past, Present and Fu Jonathan Bignell (Professor of Television and Film Book 2014Latest edition Palgrave Macmilla

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樓主: Forestall
51#
發(fā)表于 2025-3-30 09:13:27 | 只看該作者
Wie sich die Werbung wandeln wird to become Head of English Regional Drama. The important factor about Birmingham in 1971 was that there was talent, craft and technical infrastructure of the highest BBC-trained order: the situation was akin to that of Manchester in the early 1960s when Vivien Daniels produced the first plays of John Hopkins, John McGrath and Alan Plater.
52#
發(fā)表于 2025-3-30 15:57:13 | 只看該作者
Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama as the Austrian economist Ludwig von Mises said,. the ultimate socialist institution is the post office, then postmodernism and post-structuralism have persuaded post-socialists to abandon playing post offices and take up playing shops.
53#
發(fā)表于 2025-3-30 17:06:54 | 只看該作者
‘A Hero Mumsy’: Parenting, Power and Production Changes in rah Jane Smith, and her robot dog, K9. The award-winning programme about the adventures of Sarah Jane, her adoptive son, Luke, and their friends defending the Earth against alien threats subsequently ran for five series and was only cut short by the death of the star, Lis Sladen, in 2011.
54#
發(fā)表于 2025-3-30 23:46:29 | 只看該作者
The 1970s: Regional Variations to become Head of English Regional Drama. The important factor about Birmingham in 1971 was that there was talent, craft and technical infrastructure of the highest BBC-trained order: the situation was akin to that of Manchester in the early 1960s when Vivien Daniels produced the first plays of John Hopkins, John McGrath and Alan Plater.
55#
發(fā)表于 2025-3-31 02:41:44 | 只看該作者
Marketing im Sinne des Transaktionsansatzess and 1930s, and for decades after the Second World War. It is only today, at the end of the century, that a glance at the list of London offerings is often disappointing: numerous extravagant musicals and revivals, yet, apart from the Royal National and Royal Shakespeare, depressingly few new plays.
56#
發(fā)表于 2025-3-31 06:40:30 | 只看該作者
57#
發(fā)表于 2025-3-31 12:19:49 | 只看該作者
Sydney Newman and the ‘Golden Age’s and 1930s, and for decades after the Second World War. It is only today, at the end of the century, that a glance at the list of London offerings is often disappointing: numerous extravagant musicals and revivals, yet, apart from the Royal National and Royal Shakespeare, depressingly few new plays.
58#
發(fā)表于 2025-3-31 16:40:02 | 只看該作者
‘What Truth is There in this Story?’: The Dramatisation of Northern Irelandnned outright. It demonstrates conclusively that the attempts to control the dramatic representation of the Troubles was part of a sustained campaign of repression that in severity and vigilance far exceeded anything experienced elsewhere in what was once comfortingly called ‘the free world’.
59#
發(fā)表于 2025-3-31 20:51:27 | 只看該作者
60#
發(fā)表于 2025-4-1 00:47:24 | 只看該作者
Gerald Corbae,Jakob B. Jensen,Dirk Schneider978–2008) and . (Channel 4 1995–). Yet, both my own and . backstory began almost 40 years earlier. Not in my native Liverpool, but in Tokyo Bay, on the deck of the USS . when, on 2 September 1945, General Douglas McArthur, as Supreme Allied Commander, accepted the surrender of the Japanese Empire.
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