Titlebook: British Silent Cinema and the Great War; Michael Hammond (Senior Lecturer in Film),Michael Book 2011 Palgrave Macmillan, a division of Ma

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Overview: This innovative book presents for the first time detailed histories of the impact of the Great War on British cinema in the silent period, from actual war footage to fiction filmmaking. In doing so it explores how cinema helped to shape the public memory of the war during the 1920s.978-1-349-33237-3978-0-230-32166-3

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Market-Driving Behavior in Emerging Firmsposter, it is a revealing question to ask of the British film companies in the war years. This chapter seeks to offer a partial answer by giving an account of some of the films produced by the British and Colonial Kinematograph Company (henceforth B&C) in its response to the conflict. The company ha

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Vital-Signs

https://doi.org/10.1007/978-3-663-08730-4 a successful format of film star portraits and film stories, gossip, poems, jokes and competitions, letters pages and a children’s page. In early August, at the end of the magazine’s first six months and thus its first volume, it was announced that the following week the commencement of the next vo

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Introduction: Revolutionary Technologiesdeveloped by Bruce Woolfe and Walter Summers at British Instructional, often discussed in terms of ‘record’ and ‘fact’; and fictions that use the war as material for melodramas, romances and social problem dramas. However, arguably the war haunts the films of the 1920s with a more pervasive and limi

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