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Titlebook: British Romanticism in European Perspective; Into the Eurozone Steve Clark (Visiting Professor),Tristanne Connoll Book 2015 The Editor(s) 2

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發(fā)表于 2025-3-21 18:57:49 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱British Romanticism in European Perspective
期刊簡稱Into the Eurozone
影響因子2023Steve Clark (Visiting Professor),Tristanne Connoll
視頻videohttp://file.papertrans.cn/192/191153/191153.mp4
圖書封面Titlebook: British Romanticism in European Perspective; Into the Eurozone Steve Clark (Visiting Professor),Tristanne Connoll Book 2015 The Editor(s) 2
影響因子What, and when, is British Romanticism, if seen not in island isolation but cosmopolitan integration with European Romantic literature, history and culture? The essays here range from poetry and the novel to science writing, philosophy, visual art, opera and melodrama; from France and Germany to Italy and Bosnia.
Pindex Book 2015
The information of publication is updating

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發(fā)表于 2025-3-21 23:34:11 | 只看該作者
The Genealogy of the Scientific Sublime: Glaciers, Mountains and the Alternating Modes of Representisted of William Windham, his tutor Edward Stillingfleet, Robert Price, Thomas Hamilton, Seventh Earl of Hadinton, and four other men. This was part of their Grand Tour, but they intended to make a serious scientific investigation into the glaciers.. The glaciers of Bern had already been studied by
板凳
發(fā)表于 2025-3-22 00:51:54 | 只看該作者
,‘Et in Arcadia Ego’: Philosophical Aesthetics and the Origins of European Romanticism in Shaftesbursthetic revolution in European Romantic thought. Philosophical discourse on the arts goes as far back as Plato’s dialogues (notably, .), while the Greek treatise . [On the Sublime], attributed to a Longinus living in the first century of the present era,. was known throughout the Middle Ages but acq
地板
發(fā)表于 2025-3-22 07:48:00 | 只看該作者
,Cross-channel Discourses of Sensibility: Madeleine de Scudéry’s , and Charlotte Lennox’s ,ntal communications, and, above all, a burgeoning international market for novels and novels in translation. Fifteen years later Macpherson’s Ossian poems would become a pan-European sensation, foreshadowing the trans-continental celebrity of Romantic writers and composers such as Beethoven, Burns,
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發(fā)表于 2025-3-22 09:40:21 | 只看該作者
,‘Amphibious Grown’: Hester Thrale, Della Crusca and the Italian Origins of British Romanticism,‘trusting still’ in her decision to remarry. ‘Amphibious’ refers to ‘That which can live in two elements’ (Johnson’s .) rather than ‘living both on land and water’ (OED 1): youth and age, mind and body, London and Florence, English and Italian language. Spatial relocation, however, is not necessaril
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發(fā)表于 2025-3-22 15:20:43 | 只看該作者
: Joseph Priestley Abroad and Romantic Poetics,74, was his sole trip to the continent of Europe and, apparently, not a success. On a visit to the Low Countries, Germany and France with the Earl of Shelburne, Priestley larded his platitudes about the way travel ‘enlarge the mind’ with some fairly random comments on the exposed feet of French w
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發(fā)表于 2025-3-22 19:47:06 | 只看該作者
,‘Mistaken for Natives of the Soil’: Translation and Erasmus Darwin’s ,ation, and elite knowledge into popular science by versification, while its explicit goal is a translation between discourses: to ‘lead … from the looser analogies, which dress out the imagery of poetry, to the stricter ones, which form the ratiocination of philosophy’ (Advertisement). . is also int
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發(fā)表于 2025-3-22 22:47:20 | 只看該作者
,Family, Marriage and the State in Romanticism’s Other Genres,ate as family’ and ‘family as state’ (110). Such a relationship endured into the eighteenth century but seems to disappear in the Romantic period. However, it may only seem to disappear because of the overrepresentation of certain genres in the understanding of Romanticism that became predominant ov
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發(fā)表于 2025-3-23 03:16:42 | 只看該作者
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發(fā)表于 2025-3-23 09:05:15 | 只看該作者
Blake and the European (Pre) History of Melodrama: Beyond the Borders of Time and Stage,he seemingly lesser heroes of the piece — Rousseau, the German . writers, and the French dramatists who were adapted for the English and American stage — as well as a new protagonist — Blake — in order to shift the spotlight that shines brightly on the birth of melodrama away from its nineteenth-cen
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