Titlebook: British Romanticism and the Jews; History, Culture, Li Sheila A. Spector (independent scholar) Book 2008 Palgrave Macmillan, a division of

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Book 2008he period between the Enlightenment and Victorianism. The essays in the volume demonstrate how the texts produced by the Jewish Enlightenment provided a significant resource for romantic intellectual revisionism, in much the same way that British romanticism provided the cultural basis through which

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Abraham Goldsmid: Money Magician in the Popular Pressr Benjamin Goldsmid had killed himself, polite magazines and newspapers throughout Great Britain reported the event. The disastrous effect of his death on the public stocks was immediate, and political economists speculated on—and sought to mitigate—the extended ramifications. . ran four different p

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“What are Those Golden Builders Doing?”: Mendelssohn, Blake, and the (Un)Building of ,delssohn would have said the same thing if he had heard that Blake regarded himself as an incarnation of “the ever-apparent Elias,” “the Spirit of Prophecy” (. 24:71).. For both writers, at least nominally, squared off on opposite sides of the Enlightenment, and the site of this contestation is a di

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Scott’s Hebraic Historicismween English Jews and the Britons among whom they lived, worked, studied, and worshiped.. Ruderman, in particular, suggests that Jews played a variety of roles in religious debates among Anglicans and dissenters, both actively and passively.. While it may seem untoward to suggest that a historical n

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Imagining “the Jew”: Dickens’ Romantic HeritageRiah, in ., is understood to be Dickens’ attempt to correct the “bad” Jew in the earlier novel. From this perspective, Riah can be viewed as either an expression of contrition and atonement, or a reflection of changed attitudes toward the Jews and their improved socio-economic position in the period