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Titlebook: British Romantic Art and the Second World War; Stuart Sillars Book 1991 Stuart Sillars 1991 English.English Romanticism.Inuit.Romanticism

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樓主: Detrusor-Muscle
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發(fā)表于 2025-3-23 13:40:29 | 只看該作者
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發(fā)表于 2025-3-23 17:17:12 | 只看該作者
Overview: An examination of the ways in which the artists and writers of the 1940s developed and extended approaches from earlier English romanticism to provide a direct and compassionate response to the reality of contemporary destruction.978-1-349-09920-7978-1-349-09918-4
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發(fā)表于 2025-3-23 20:00:24 | 只看該作者
Market Oriented Product Innovatione first Romantic painters into rather a different light and, as we shall see, has consequent effects on our ideas of how some artists of the thirties and forties saw themselves in relation to the tradition; how the notion of what we might loosely call a Romantic continuity came to develop; and how this actually worked in practice.
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發(fā)表于 2025-3-23 23:39:07 | 只看該作者
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發(fā)表于 2025-3-24 03:16:34 | 只看該作者
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發(fā)表于 2025-3-24 09:56:41 | 只看該作者
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發(fā)表于 2025-3-24 11:41:55 | 只看該作者
Romantic Realism,ising copy, that it requires a major effort of dissociation for us even to become aware of it at any conscious level. It is this feature, strong in both painting and literature, which is the conceptual source of a major strand of Romanticism in English art of the Second World War.
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發(fā)表于 2025-3-24 18:34:22 | 只看該作者
The Romantic Continuity,e first Romantic painters into rather a different light and, as we shall see, has consequent effects on our ideas of how some artists of the thirties and forties saw themselves in relation to the tradition; how the notion of what we might loosely call a Romantic continuity came to develop; and how this actually worked in practice.
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發(fā)表于 2025-3-24 21:52:23 | 只看該作者
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