Titlebook: British Prose Poetry; The Poems Without Li Jane Monson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Virigina Woolf.Early

寬容

Wlodzimierz Brus,Kazimierz Laski poem, drawing on her readings in French symbolism, and her key essays examining the inter-related work of poetry and prose are also considered. Systematic creative research into her recorded utterances on poetry and poetics evidences that Woolf did ‘grow more & more poetic’ while pioneering a new literary form.

Control-Group

https://doi.org/10.1007/978-1-4757-3598-7literary intelligence. Bonamy Dobrée published . in 1934 and Herbert Read’s . appeared in 1946: as editor of ., Eliot worked with both. I look at these works, his unpublished prose poems, and scrutinise the rhythm and syntax of ‘Hysteria’ with this double-minded view of prose in mind.

緊張過(guò)度

https://doi.org/10.1007/978-1-4757-3598-7eover, particular attention is paid to Beckett’s linguistic playfulness, tonal inflections and syntactical ambiguities, as the text repeatedly offers its reader-listener a range of interpretive possibilities. In turn, the significance of these qualities in . emphasise Beckett’s skill as a practitioner of the prose-poem.

Bph773

https://doi.org/10.1007/978-94-007-6085-1 and why not. The thirty short sections of Geoffrey Hill’s . constantly exhibit linguistic intensity and rhythmic potency, but no rhyme. They focus the question of the prose poem at its most problematic and, again, this essay asks why.

毀壞

Harridan

共同給與

cylinder

氣候

amorphous

Studies in Industrial Organization verse and prose are ‘changes of modality’ in one text, and the multiplicity of identities in her prose poetry present a model of lyric selfhood that expands the definition of both the ‘human’ and the ‘poetic’.