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Titlebook: British Poetry from the 1950s to the 1990s; Politics and Art Gary Day (Senior Lecturer in English and Cultural Book 1997 Palgrave Macmilla

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發(fā)表于 2025-3-23 13:33:09 | 只看該作者
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發(fā)表于 2025-3-23 16:38:14 | 只看該作者
Book 1997e changes but also argues that poetry criticism has been debilitated by the quest for political respectability, a trend which can only be reversed by reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they
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發(fā)表于 2025-3-23 21:06:44 | 只看該作者
Book 1997reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they provoke the reader into a fresh awareness of the nature of poetry and its relation to society.
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https://doi.org/10.1007/978-3-8349-8904-8 poetry appears to us to lie in its utter unconsciousness of a listener’ and can therefore be said to be overheard. Where eloquence openly acknowledges its intercourse with the outside world, poetry acts as if it does not exist:
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發(fā)表于 2025-3-24 12:59:17 | 只看該作者
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發(fā)表于 2025-3-24 17:21:45 | 只看該作者
Michael Jary,Dirk Schneider,Andrew Wilemanen sonnets about spaceships, and concrete poems about Shakespeare, he might seem to specialise in unlikely juxtapositions, not least in the witty title of one of his best known collections: . Some readers have been positively disconcerted by the element of play in Morgan’s work, and others by its sheer variety. The poet knows this:
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