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Titlebook: British Poetry Since the Sixteenth Century; A Students’ Guide John Garrett Book 1986 John Garrett 1986 literature.poetics.poetry.sixteenth

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發(fā)表于 2025-3-21 16:19:28 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱British Poetry Since the Sixteenth Century
期刊簡(jiǎn)稱A Students’ Guide
影響因子2023John Garrett
視頻videohttp://file.papertrans.cn/192/191108/191108.mp4
圖書封面Titlebook: British Poetry Since the Sixteenth Century; A Students’ Guide John Garrett Book 1986 John Garrett 1986 literature.poetics.poetry.sixteenth
Pindex Book 1986
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沙發(fā)
發(fā)表于 2025-3-21 20:40:30 | 只看該作者
板凳
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地板
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發(fā)表于 2025-3-22 09:14:41 | 只看該作者
The Later 17th Century: Andrew Marvell,rich from the trade and investments that had been increasing apace since the middle of the previous century, and the old-established landed-aristocrat class, defenders of the king’s divine right to absolute rule and of their own privileged position as feudal landlords. The former, who became known a
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發(fā)表于 2025-3-22 18:37:10 | 只看該作者
The Early 18th Century: Pope and Swift,tween Catholic ‘legitimacy’ and Puritan iconoclasm, to all of which much of Dryden’s verse bears witness, finally levelled off, in the last decade of the century, into a general feeling of religious and political tolerance. The 18th century, the era of the ‘Great Peace’, has its roots in the Restora
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發(fā)表于 2025-3-23 03:28:17 | 只看該作者
Romanticism: Blake, Wordsworth, Keats, Byron and Shelley,as once so fresh and vigorous in the writings of Pope and Swift had become dull and predictable. The edge had gone off it. For inspiration writers began to turn towards more mysterious or numinous aspects of experience and towards the world of their dreams, territories which had been out of bounds t
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