Titlebook: British Multicultural Literature and Superdiversity; Ulla Rahbek Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusiv

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Introduction: Old and New Diversity,heories of British multiculturalism, superdiversity, and conviviality. The introductory chapter presents Rahbek’s multigenre and decentralised approach to the literary texts studied, focusing on poetry, short stories, memoirs, and novels from metropolitan and non-metropolitan locations written by wr

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The Multicultural Memoir: A Politics of Recognition for the Individual,tation, and identity. Taking a point of departure in socio-political and philosophical theories on the politics of recognition and on the notion of identity, the chapter argues that the multicultural memoirs evince what is termed a politics of recognition for the individual, which pivots on notions

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The Multicultural Novel, Part 1: Britain Reimagined,concomitant visions for the future of the nation. Drawing on socio-political reflections on visions for Britain’s multicultural, superdiverse, and globalised future by Bhikhu Parekh, Paul Gilroy, and David Olusoga, the chapter explores the ways in which the three novels engage in processes of reimag

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The Multicultural Short Story and Intercultural Conversation, references to Popoola’s ‘Counting Down’ (2016), Sefi Atta’s ‘A Temporary Position’ (2009), and Sue Gee’s ‘Glimpse’ (2016), with special focus on encounters in the stories and how encounters can lead to conflict or conversation. Taking a point of departure in what Kwame Anthony Appiah calls ‘convers

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