Titlebook: British Fiction in the 1930s; The Dispiriting Deca James Gindin Book 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited 19

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,Die Prüfung der Margarinerohstoffe,ly Imagist in his poetry, he had been associated for nearly twenty years with modernism and its need to formulate a complete and linguistically violent break with the past. His jazzy, derisive language is visible throughout ., even in passages that simply describe the 1890 courtship of the parents of the war victim:

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Collected

Book 1992emmas, a culture that seems betrayed by the promise of its past and the paralysis of its present. The fiction considers transforming solutions, individual and sexual rebellions as well as the fears and attractions of social and political change.

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judiciousness

The Problem of Emancipation (1934)the attraction of intellectuals to communism and fascism, wars in China, Africa and Spain, and the apparent sterile stasis of the British government were all reflected in literature and journalism of panic, fracture and despair, in the decade’s language of social and international concern.

以煙熏消毒

,Die Prüfung der Margarinerohstoffe, Baer. Walking the streets in his heavy suits and starched shirts in the hot weather, and reading whatever news from Europe he could, Priestley became despondent. As his recent biographer, Vincent Brome, records his impressions, they bear no resemblance to those of the writers of . magazine:

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https://doi.org/10.1057/978-1-137-59603-1ty in the midst of the warm, frightening spring and summer of 1940, a ‘sanguine’ moment that ‘like Churchill, fit both optimistic and bloody at the same time’. Another excellent novel, . (1968), is set in the same time-frame, and, on a slightly less searching level, . (1952), set in 1929–32, deals w

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