Titlebook: British Fiction After Modernism; The Novel at Mid-Cen Marina MacKay (Assistant Professor of English),Lyn Book 2007 Palgrave Macmillan, a di

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,The Cold War Way of Death: Muriel Spark’s ,ng a fetish of taking pulse rates and temperatures when he should be paying a different kind of attention to his human subjects. The novel proclaims the difficulty of establishing an impartial, objective viewpoint for the study of old age by making its own representative of scientific method an enth

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Developments in Veterinary Virologyme being accessible, working within or closer to mainstream, popular models of fiction. There was an attempt to win back a broader readership while continuing to be innovative and exploratory. In saying this I have in mind authors such as Rosamond Lehmann and Jean Rhys (Alison Light also presents th

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L. D. Bacon,H. D. Hunt,H. H. Chengthe river, his ‘sense of property and kinship’.. An obese woman comes blundering along the bank, clumsily chased by a man who seems intent on murdering her. Out of breath, she stops and taunts her pursuer, in the hearing of the hidden boy, with being unable to do it, whereupon the man retreats a lit

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R. F. Silva,L. F. Lee,G. F. Kutishandedly replies, ‘ “You always tell us to amuse him … and nothing has ever amused him so much” ’ (., 21). Outside, after lunch, Henry throws flowerpots into a wheelbarrow to elicit Toby’s laughter a second time. Toby is genuinely amused by these instances; his later, solitary laughter over the broke

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