Titlebook: Britain and the Cinema in the Second World War; Philip M. Taylor (Lecturer in International Histor Book 1988 Palgrave Macmillan, a divisio

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The British Film Industry: Audiences and Producers,ng the war years it was only 42. The industry had suffered a serious slump in 1937, resulting in numerous bankruptcies, severe cutbacks and a considerable reduction in the number of films made. But there was another reason for the decline in output. The 1927 Films Act had imposed on the American com

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The People as Stars: Feature Films as National Expression,xample, who sincerely hoped and believed that war would finally push British cinema through some final barriers by inspiring the writing of better stories and the production of sharper, tougher and, above all, more realistic films. The twelve months before the actual outbreak of hostilities gave amp

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,Creative Tensions: ,, the Army Film Unit and Anglo-American Rivalry, 1943–5,nto three showcase venues for its West End run and was given a general release throughout Britain ten days later. It was first screened in New York on 31 March at the Twentieth Century Fox Building and by the end of April some 400 copies were in circulation across America. The film proved to be far

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The People as Stars: Feature Films as National Expression,. There was certainly a new pride and a new sense of anticipation in the British film industry but, in order fully to appreciate the situation when war began, we need to remind ourselves of the terms in which British films hitherto had generally been discussed.

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