Titlebook: Britain Through Muslim Eyes; Literary Representat Claire Chambers Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 literature

畸齒矯正學(xué)

書目名稱Britain Through Muslim Eyes影響因子(影響力)




書目名稱Britain Through Muslim Eyes影響因子(影響力)學(xué)科排名




書目名稱Britain Through Muslim Eyes網(wǎng)絡(luò)公開度




書目名稱Britain Through Muslim Eyes網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Britain Through Muslim Eyes被引頻次




書目名稱Britain Through Muslim Eyes被引頻次學(xué)科排名




書目名稱Britain Through Muslim Eyes年度引用




書目名稱Britain Through Muslim Eyes年度引用學(xué)科排名




書目名稱Britain Through Muslim Eyes讀者反饋




書目名稱Britain Through Muslim Eyes讀者反饋學(xué)科排名

Biomarker

‘Truly a person progresses by travelling and interacting with different peoples’: Travelogues and Lie other genres: fiction, history and travel writing (2009: 89). He points out that ‘a(chǎn)utobiography has always proved difficult to classify in anything approaching watertight theoretical terms’ (2009: 69). He follows Patrick Holland and Graham Huggan (2000: 12) in identifying areas of overlap between

匍匐前進(jìn)

‘England-Returned’: British Muslim Fiction of the 1950s and 1960sgland-returned’. class to predominantly coming from the myth of return class. This chapter and the previous one examine the largely upper-class, transient, intellectual class of ‘England-returned’ writers (they are Arab and white British as well as South Asian). In the final chapter on the 1970s and

output

流動(dòng)性

The Myth of Conclusion asserting their identity politics from the early 1980s onwards, well before Rushdie’s crisis. Many Muslims campaigned for the removal of Ray Honeyford, the headteacher of Drummond Middle School in Bradford. He had written in favour of integration and against what he called ‘multi racialism’ (multic

affinity

NEX

使殘廢

Arable

Personal Implications of Changesient, intellectual class of ‘England-returned’ writers (they are Arab and white British as well as South Asian). In the final chapter on the 1970s and 1980s, a more permanent, generally working-class ‘myth of return’ class of writers is in the ascendant.

patella