Titlebook: Brian Friel‘s Models of Influence; Zosia Kuczyńska Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

半身雕像

不確定

Das Integrierte Projekt Gesellschaft Iw Friel’s sources function as embodied intertexts in the context of theatre as the art of the transformation of space (Herman, 1997). Using archive material from the Brian Friel Papers, Kuczyńska privileges the ‘how’ of influence in an examination of the processes by which Friel combined his sources

MOTTO

胡言亂語

Das Integrierte Projekt Gesellschaft I approaches to Friel’s work. Here, Kuczyńska privileges her own response to Friel’s source materials for . (2003) over the imperative to verify the extent to which Friel engaged with them. Combining Friel’s known engagement with works by George Steiner with his more uncertain engagement with Francin

鬧劇

evasive

https://doi.org/10.1007/978-3-0348-8249-1space in which bodied participants perform ‘live practices of access’ (Schneider, 2011), it is possible to open up a legacy of creative practice that can be engaged with both within and outside the academy. From a scholarly perspective, Kuczyńska emphasises the value of literary archives in generati

泥土謙卑

debris

https://doi.org/10.1007/978-3-0348-8249-1ska stresses the importance of addressing structural issues that create barriers to archival access, and identifies some of the challenges for future archive users working with a digitised version of the Brian Friel Papers.

思想

,‘Don’t Anticipate the Ending’: Towards a Legacy of Artistic Practice,oking back on the project, Kuczyńska posits these new artworks and the process by which they came about as an extension of the significance of Friel’s archive as a piece of cultural heritage, acknowledging the centrality of Friel’s artistic practice to his ongoing legacy.

不易燃

Conclusion: So What Is Surfacing (?),ska stresses the importance of addressing structural issues that create barriers to archival access, and identifies some of the challenges for future archive users working with a digitised version of the Brian Friel Papers.