Titlebook: Brian Friel; Theatre and Politics Anthony Roche Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 bibliography.

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https://doi.org/10.1007/978-3-658-26340-9istory plays and that, however much those plays might have resonated off then-contemporary events in Northern Ireland, there was no explicit engagement with the present in his drama. Such an impression would be misleading. During that period, Friel wrote four original plays which did just that and w

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https://doi.org/10.1007/978-3-658-26340-9cumentary on the playwright, which was released in 2000. It drew on freshly filmed interviews with fellow playwrights, actors, directors, academics and critics, including key members of Field Day (Stephen Rea, Seamus Deane, Seamus Heaney). But what contribution, if any, would this most reticent of p

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Escaping Containment: The Early Plays of Brian Friel,t space of time. Most of the reviews were positive; but it was the word of mouth, and in particular the play’s impact on future theatre practitioners, that testified to its importance as a breakthrough in the history of the Irish theatre. Thomas Kilroy, who would make his own theatrical debut four y

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Friel and the Director: Tyrone Guthrie and Hilton Edwards,res, to honour the achievement of Ireland’s greatest living playwright. Friel broke his customary silence and contributed to the festival booklet a series of single lengthy paragraphs outlining his views on seven key elements of the theatrical process: words, great actors, amateurs, music, directors

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Fantasy in Friel, Friel, and yet there is no getting around the prominence of fantasy in the work. Of the pre-. plays, . is the outstanding example, as the title itself suggests. The figure of Willie Logue, the Catholic post office worker in Derry whose latest cultural obsession is for all things French, is merely t

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