Titlebook: Brecht’s Early Plays; Ronald Speirs Book 1982 Ronald Speirs 1982 Europe.history of literature.literature.play.twentieth century

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The Operas,uzzled later commentators who wonder why bourgeois audiences should have been so enthusiastic about a work containing passages of Marxist social criticism, and who therefore suppose that the work’s popularity must have rested on some “misunderstanding”.. The fact is that the didactic passages (which

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https://doi.org/10.1007/978-3-322-85887-0elpfully translated as “alienation effect”) have gained wide currency. Yet while the plays of his maturity — ., ., ., . — continue to be produced quite successfully both in Germany and abroad, a certain weariness with Brecht, a feeling of over-familiarity with his themes, techniques and style has ma

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Zusammenfassung und Implikationen,f writing in which, as the author of ., he had begun his literary career. As in . and many other Expressionist works, fantasy is used here by the playwright as a source of symbolic figures and actions which give shape and expression to aspects of the mind which normally remain hidden in everyday lif

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Management hochwertiger Dienstleistungenhemes are treated. . (1926) takes up themes which are familiar from Brecht’s earlier plays — questions of the individual’s freedom of choice, his ability to master experience, the importance or otherwise of a sense of personal identity — but explores them in a quite novel way.. Whereas in ., for exa

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