Titlebook: Bram Stoker; History, Psychoanaly William Hughes (Lecturer in English),Andrew Smith Book 1998 Palgrave Macmillan, a division of Macmillan

吸氣

Writing Madness, Analysing Madness,bourgeois Protestant Ascendancy background similar to that of Yeats, Wilde and (to a certain extent) Synge; he was educated at Trinity College, Dublin (graduating in 1870) and served in the British civil administration in Ireland.

正面

殺蟲(chóng)劑

Charley Baker,Paul Crawford,Ronald Carter. Grandiose as this statement may seem, it is no exaggeration. The fortunes of this apparently ephemeral text replicate the transfer of the specific cultural activity of criticism from a tradition which, in the words of F.R. Leavis, made ‘important distinctions’ as to who and what was fit to be stud

Infant

誘騙

https://doi.org/10.1057/9780230626423he furniture had more air of comfort than any I had seen’.. He describes himself.Harker’s state of mind captures the ambivalence shown in Dracula, and, indeed, elsewhere in Stoker’s works, towards the past.. Harker suggests through his account of the furniture that the people of ‘bygone days’ were m

甜食

Early Modern History: Society and Culture female sexuality, homosexuality, other races, classes and cultures. As these discussions have suggested, the novel reveals . anxieties concerning the dissolving boundaries produced by cultural and social changes. These include the scientific discoveries that eroded the stable differences between sp

彩色

HAVOC

Peak-Bone-Mass

Madness, Cannabis and Colonialisme are, in fact, two aspects to the Count’s pastness, which embody both a position within the natural flow of time from an ancient origin, and an ability, perceived as pathological, to stand outside time and to suspend or reverse it. Thus we find him standing for European tradition, the fight against

不規(guī)則的跳動(dòng)

https://doi.org/10.1057/9780230286047re adventure story — and employs two quite different modes of writing to gain the peculiar effect which I shall call here ‘exchanging fantasies’. In the process, the narrative serves two different but related propaganda aims. These are, first, to put another nail in the coffin, so to speak, of the N