Titlebook: Brain Art; Brain-Computer Inter Anton Nijholt Book 2019 Springer Nature Switzerland AG 2019 Brain-Computer Interfaces.Multi-party and Hybri

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書目名稱Brain Art影響因子(影響力)




書目名稱Brain Art影響因子(影響力)學(xué)科排名




書目名稱Brain Art網(wǎng)絡(luò)公開度




書目名稱Brain Art網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Brain Art被引頻次




書目名稱Brain Art被引頻次學(xué)科排名




書目名稱Brain Art年度引用




書目名稱Brain Art年度引用學(xué)科排名




書目名稱Brain Art讀者反饋




書目名稱Brain Art讀者反饋學(xué)科排名

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Brain-Computer Interfaces in Contemporary Art: A State of the Art and TaxonomyCI dating from 1965 to 2018, and present a taxonomy with five categories guiding the discussion of specific BCI artworks: input, mapping, output, format, and the presence of an audience. Moreover, we briefly present and discuss key points about BCI devices used in some of the artworks that are avail

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More Than One—Artistic Explorations with Multi-agent BCIsving multiple participants emerged is discussed. Additional contextualization includes descriptions of the intellectual climate from which ideas about brain biofeedback led to pioneering applications in music and its allied arts. The chapter then proceeds with more in-depth explanations of what are

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Evaluating BCI for Musical Expression: Historical Approaches, Challenges and Benefitsies when considering BCI systems for music composition or performance. Assessing the value of computationally assisted creativity is challenging in most artistic domains, and the assessment of computer assisted (or entirely computer generated) music is no different. BCI provides two unique possibili

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Using Synchrony-Based Neurofeedback in Search of Human Connectednessuss a series of art/neuroscience works that track and visualize the extent to which brainwaves and physiological responses become synchronized between people and their environment. From a neuroscientific point of view, we ask whether such synchrony is ‘meaningful’, i.e., do these data streams (brain

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