Titlebook: Books Without Borders, Volume 2; Perspectives from So Robert Fraser (Professor of English),Mary Hammond Book 2008 Palgrave Macmillan, a di

魯莽

Book Circulation and Reader Responses in Colonial India,s striking about this volume, though, was physical evidence of its first owner viscerally and actively engaged with the themes of the novel — pages and illustrations had been ripped out, notes scribbled in the margins, newspaper clippings pasted into the front and back covers. The marginalia in this

保存

Thacker, Spink and Company: Bookselling and Publishing in Mid-Nineteenth-Century Calcutta,rossed every sort of frontier, and not just geographical ones. The activities of a British-Indian firm such as Thacker, Spink and Company shed light on this facet of book production, distribution and reception. They also provide a commentary on, and manifold insights into, the nature of British rule

HAUNT

War and the Colonial Book Trade: The Case of OUP India,roof of her house, repelling the rats and snakes that also sought sanctuary.’. The following evening, safely down again, she heard wailing over the stricken city what under the circumstances seemed almost a homely sound. It was an air raid siren, keening the arrival of yet another consignment of Jap

漂浮

Debate

Salman Rushdie and Zulfikar Ghose in the Literary Marketplace,ts, librarians, theorists, and journalists. In what follows, I draw attention to some of the features of value regulation within the field of postcolonial literary production as I see it. My specific interest is in thinking about how the mechanisms of evaluation at work within this system influence

META

完整

,The ‘Book’ in India: Orality, Manu-Script, Print (Post)Colonialism, come to be known as postcolonial discourse. It thus behoves us to enquire at the outset just how fitting a backdrop to the subject this discourse provides. This is all the more pressing a requirement since, despite being self-consciously and even apologetically informed by the best liberal-guilty w

largesse

自然環(huán)境

Missionary Writing and the Self-Fashioning of Assamese Cultural Identity in Colonial India: Revisitnd pronunciation of the state’s name from its conventionally accepted English-influenced form to ‘Asom’ in order to ‘re-christen itself’ to convey a more authentic-sounding identity. The decision was a response to an appeal in the literary magazine Goriyoshi by Chandra Prasad Saikia, Assamese author

疾馳

Futures Past: Books, Reading, Culture in the Age of Liberalization, broadly conceived, and those who study the content of some carefully chosen texts, narrowly conceived. Book history and literary study remain two robust fields separated by a common research agenda, with many literary scholars unwilling to embrace the empirical methods of book history and its pursu