Titlebook: Bookish Histories; Books, Literature, a Ina Ferris (Professor of English),Paul Keen (Profe Book 2009 Palgrave Macmillan, a division of Macm

時(shí)代

atopic-rhinitis

The Emergence of Entrepreneurship Policyms, anthologies, treasuries, souvenirs, almanacs, catalogs, and other examples of what we might term ‘mediated forms’ continue to challenge theorists—including those seeking to define the rationale behind compilations that often strike us as at best randomly organized.

biosphere

Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/b/image/189760.jpg

動(dòng)脈

護(hù)身符

Wild Bibliography: The Rise and Fall of Book History in Nineteenth-Century Britain soon to become entwined with, if not indistinguishable from, the more notorious and volatile Bibliomania of the Romantic age. This book history was, of course, not the same history of print that we associate today with the names of Robert Darnton, Elizabeth Eisenstein, or Roger Chartier, which is o

liaison

‘Uncommon Animals’: Making Virtue of Necessity in the Age of Authorsiented antagonists has at times distracted us from the complexity and force of the tensions which structured debates . the latter category. This oversight is crucial because the emergence of modern ideals of authorship was less a matter of the victory of one of these definitions over the rest than t

thalamus

‘This Enormous Contagion of Paper and Print’: Making Literary History in the Age of Steamtextual production that had transformed British print culture in the nineteenth-century. Noting how the previous authority on the topic—McKerrow’s . (1927)—had only covered the era of the common hand-press, Gaskell described his work as the attempt ‘for the first time to give a general description o

Clumsy

Canons’ Clockwork: Novels for Everyday Use trace the man’s pursuit of poetic fame to the moment when the boy was captivated by illusions: among them, the anthropomorphic illusions that readers cultivate when we construe our encounters with the surfaces of representation as experiences in which we sustain the company of ..

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Book-Love and the Remaking of Literary Culture in the Romantic Periodicalforever’. But what is it one loves when in love with ‘the book’? Derrida himself (deconstructively enough) does not quite know: ‘The word . is as difficult to define as the question of the book, at least if the wish is to grant it a sharp specificity, and to cut it out in its irreducibility, at the

存在主義

The Art of Sharing: Reading in the Romantic Miscellanyncerned the difficulties of transmitting the ., the art of rejuvenation, that the Major required in order to remain vital and youthful for his niece who, in a typical Goethean fantasy, had fallen in love with him. ‘The Man of Fifty’ had initially appeared in part in 1817 in Cotta’s., and it was a st