Titlebook: Body and Event in Howard Barker‘s Drama; From Catastrophe to Alireza Fakhrkonandeh Book 2019 The Editor(s) (if applicable) and The Author(

Horizon

Antagonism

General Management (UDC 65.01), modes of sociality and self-conception: a tragic community of those who have nothing in common but their shared experience of loss and its immanent ethics of infinity. Finally, we will see how the tempting offer of the rehabilitation of a revisionary form of governmentality, to wit, the formation o

流逝

FLUSH

and Other Plays,lly phallic/phallocratic structure to its cumulative accrual of circular layers and folds, culminating into its relapsing into an “amorphous” mass of walls, I will argue that the castle in its final form incarnates a chaos (chiasmatic) dynamics. As regards time, critically drawing on Irigaray’s gend

Adjourn

Desire, Language and Pregnancy/Maternity in , and Other Plays,b—both in . and in Barker more generally—as a choratic-chiasmatic space where the idealist paradigm of metaphysics, phallogocentrism, moral rationality, and unified identity are deconstructed; (2) the experience of pregnancy—both in relation to Ann and more generally in Barker—is depicted as an ethi

HOWL

騷擾

Disciplinary Apparatus and the Paining of Transgressive Bodies,ess and body of the individual as their target. We will see how a salient instance of such twofold disciplinary practices—confession—reveals the concomitance of the hermeneutics of the subject and discursively produced modes of truth, value, and knowledge. One of the crucial outcomes of this discurs

Seizure

The Moment of Con-tactile Aesth-Ethics, modes of sociality and self-conception: a tragic community of those who have nothing in common but their shared experience of loss and its immanent ethics of infinity. Finally, we will see how the tempting offer of the rehabilitation of a revisionary form of governmentality, to wit, the formation o

zonules

起皺紋