Titlebook: Bodies and Things in Nineteenth-Century Literature and Culture; Katharina Boehm Book 2012 Palgrave Macmillan, a division of Macmillan Publ

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The Bodies of Thingshem. This is the subgenre of the object autobiography, popular in France as in England, and now widely designated the ‘it-narrative’, whose protagonists — shoes, quills, coats, cats, dogs, cork-screws, coaches, kites, canes, pins, and any number of coins, most famously the gold guinea Chrysal — assu

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,Donnerstag, 27. Juni 1986, 15 – 19.30 Uhr,ermined by it: ‘It is with this movement, with the passage and dissolution of impressions, images, sensations, that analysis leaves off — that continual vanishing away, that strange, perpetual weaving and unweaving of ourselves.’. The deliberate vagueness of phrase in Pater’s ‘Conclusion’ emphasizes

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Creating a Simple Container Framework,elf-conscious narrative relationships with materiality. Given postcolonial studies’ recent emphasis on thing theory in relation to the objects of empire, this chapter develops the theoretical implications of considering colonial bodies as and among things, and, ultimately, of considering the travell

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Linux Containers and Virtualizationrests, her friends and connections, and, most important, her subjectivity. At the same time, the album, whether carried on the body, or kept, with other intimate and private belongings, in close physical proximity, functioned as a symbolic stand-in for the feminine body. Thus Mowcher’s robust humour

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Overview of Linux Sound Architecture,figure and facial features were judged according to the parameters established by the Pre-Raphaelite Cult of Beauty which had immortalized Rossetti’s muse Jane Morris as a ‘stunner’ and portrayed women as tall, willowy, and draped in unconventional garb. This type of beauty initiated a fashion for v

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Bodies and Things in Nineteenth-Century Literature and Culture