Titlebook: Boccaccio’s Decameron and the Ciceronian Renaissance; Michaela Paasche Grudin,Robert Grudin Book 2012 Michaela Paasche Grudin and Robert G

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headlong

Occupation

The Shock of Recognition: Day V, as to inspire a Botticelli:.The author endears Fiammetta to us by giving her a . (little mouth) that punningly kisses his own . (big mouth). Hers is a name that, like Lauretta’s, carries thematic authority. She plays various important roles in a number of Boccaccio’s works and is understood to repr

我悲傷

Misrule and Inspiration: Day VI,, their very identities? Literary history offers three alternative answers: directly, indirectly, or not at all. Day VI, which reprises the subject matter of Day I—the power of . as expressed in language—illustrates all three alternatives.. Madonna Filippa of Prato, who publicly endorses her own adu

阻擋

Valley of ,: Day VII,d and ascending, in three successive stages, toward a landscape of liberty.. Boccaccio has populated this terrain with metaphors and allusions. The iconography of an idealized landscape is capped with the image of the naked women in the crystalline lake: a rebaptism into moral freedom. But Boccaccio

SMART

蒙太奇

高談闊論

,The Ciceronian Synthesis: Day X and Author’s Conclusion,presents vitally new material, new issues, and new avenues for dialoguing with Boccaccio’s literary backgrounds. Its message, so clearly divergent from that of Days I–IX, comes as a surprise. It suggests that, in its light, we should reevaluate the moral import of the . as a whole.

向外才掩飾

Judicious

,—Wit as the Soul of Action: Day II,sty crowds, traitors, and usurers, as well as a variety of egregious chumps. Against this unhealthy background, Boccaccio plots diverse courses for ., balancing his tales fairly evenly between the virtuous and perverse uses of intellect.