Titlebook: Bluestockings; Women of Reason from Elizabeth Eger Book 2010 Elizabeth Eger 2010 Great Britain.Romanticism.William Shakespeare.women.Britis

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書(shū)目名稱Bluestockings影響因子(影響力)




書(shū)目名稱Bluestockings影響因子(影響力)學(xué)科排名




書(shū)目名稱Bluestockings網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Bluestockings網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Bluestockings被引頻次




書(shū)目名稱Bluestockings被引頻次學(xué)科排名




書(shū)目名稱Bluestockings年度引用




書(shū)目名稱Bluestockings年度引用學(xué)科排名




書(shū)目名稱Bluestockings讀者反饋




書(shū)目名稱Bluestockings讀者反饋學(xué)科排名

驚惶

Living Muses: the Female Icon,he symbolic figures of women. Pondering the question of why women had been chosen by the ancients to personify wisdom, knowledge and intelligence, he thought immediately of his contemporary, Mary Wollstonecraft, a prolific writer and a woman of significant cultural standing. Barry was writing in the

Terminal

,‘Female Champions’: Women Critics of Shakespeare,-century theatre. In this short essay, first published in 1750, she reflected upon the moral importance of tragedy as an improving form of entertainment, regretting the current vogue for ‘masquerades, assemblies and ridottos’. She argued that serious drama was in need of revival and that women must

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Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/b/image/189374.jpg

Ferritin

https://doi.org/10.1007/978-94-015-8196-7When Elizabeth Montagu spotted the printed version of Samuel’s . in Johnson’s . (see Plate 13), she immediately wrote to her closest friend, Elizabeth Carter:

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ANTH

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https://doi.org/10.1057/9780230250505Great Britain; Romanticism; William Shakespeare; women; British and Irish Literature