Titlebook: Blake, Modernity and Popular Culture; Steve Clark (Visiting Professor),Jason Whittaker ( Book 2007 Palgrave Macmillan, a division of Macmi

PAEAN

Children of Albion: Blake and Contemporary British Poetry,en of Albion’ are villains (first introduced in ., 1.5, E 146). The critics, for their part, concentrated on the contents and the anthology was actually killed off. Other Penguin anthologies have been repackaged as Modern Classics, but . hasn’t been reprinted and is current only as derisive shorthan

BOGUS

Queer Bedfellows: William Blake and Derek Jarman,often than not, such commentary takes the form of brief critical observation or poetic meditation on the affinities connecting Jarman with Blake. However, it is not the goal of this chapter to furnish the complete catalogue of Blake/Jarman references and citations in print. Rather, my aims are criti

labyrinth

厚顏

Overthrow

取之不竭

彎曲的人

完成才會(huì)征服

From Hell: Blake and Evil in Popular Culture,d baptised into the church of rebels’ (3), while Georges Bataille (1973) saw the poet as a satanic visionary in whose work ‘evil attains a form of purity’ (9). As one inspiration behind the occult art of Aleister Crowley, the self-styled ‘Great Beast’, and the transformation of Saladin Chamcha into

Amendment

abject