Titlebook: Blake and Conflict; Sarah Haggarty (Janice Scott Junior Research Fello Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Li

易發(fā)怒

habitat

脆弱吧

https://doi.org/10.1057/9780230584280America; Christianity; dance; empire; essay; knowledge; miniature; notation; ontology; painting; poem; religion

四指套

978-1-349-36487-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2009

鐵塔等

https://doi.org/10.1007/978-3-531-90495-5It was only at the last stage of redrafting that Blake hit on the word ‘charter’d’ for the opening of ‘London’. In the early drafts, the poem began:

cancellous-bone

frivolous

仲裁者

PAD416

Introduction,rench and Industrial Revolutions. Britain experienced unprecedented levels of mobilization, chronic food shortages, riots and the repression of civil liberties in ‘Pitt’s terror’. Blake recoiled with horror from ‘the English Crusade against France’ and the consequences of living in a militarized sta

約會(huì)

Blake and the Ontology of Empire, David Erdman’s groundbreaking work ., which in effect established this field of enquiry have been criticized and dispensed with, but many others have been substantially altered, augmented, elaborated and improved upon. Work on Blake’s even more complicated relationship to religion and the Bible is