Titlebook: Blackpool in Film and Popular Music; Ewa Mazierska Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

悅耳

Subdue

Introduction: The Changing Fortunes of Blackpool,position as the largest British seaside resort and its decline. It also positions Blackpool at the crossing of two discourses: the discourse on the North of England and of seaside resorts. Onto them is woven a discourse of England as a country in decline, looking backward to its lost imperial glory.

ULCER

metropolitan

Oafishness

Blackpool Fantasy Narrative in ,, , and ,the location for the fantastical/magical events. It argues that whilst these films promote and prolong the appeal of Blackpool as a holiday resort, they simultaneously suggest that the coastal resort has ceased being attractive in its own right. Something extraordinary has to happen to make the char

不能強(qiáng)迫我

削減

orthopedist

This Sore and Broken Blackpool Legacy, or the Enduring Appeal of Punk Rock in Blackpool,he punk and post-punk tradition within the town, and the struggles which that scene has had in gaining broader recognition. It argues that the band, Morris’s own mental health-focused musical and literary work, and his ultimate fate, closely reflect the economic, social and cultural history of Black

搏斗

,‘It’s Grime Up North’: The Phenomenon of Blackpool Grime,9, respectively. It discusses how Blackpool grime differs from grime as a genre rooted in the black British urban experience and its post-internet character. Drawing attention to its initial racism it argues that the scene was reflective of increasing anti-immigration sentiment in the United Kingdom