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Titlebook: Black Women‘s Liberatory Pedagogies; Resistance, Transfor Olivia N. Perlow,Durene I. Wheeler,BarBara M. Scot Book 2018 The Editor(s) (if ap

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樓主: Malicious
21#
發(fā)表于 2025-3-25 05:21:58 | 只看該作者
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發(fā)表于 2025-3-25 11:32:38 | 只看該作者
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發(fā)表于 2025-3-25 12:34:55 | 只看該作者
,Dünnwandige Stab-Balkenprofile,iberation movement. The chapter then discusses BYP100’s successes and struggles to build practical models for group-centered leadership, transformative justice and community accountability, policy development and advocacy, political education, campaigns and direct action organizing that are reflective of Black Queer Feminist values.
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發(fā)表于 2025-3-25 16:36:25 | 只看該作者
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發(fā)表于 2025-3-25 23:13:59 | 只看該作者
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發(fā)表于 2025-3-26 01:28:16 | 只看該作者
Introduction,rment particularly for Black community members. Furthermore, this chapter provides important subtext for decolonizing pedagogy. Reclaiming African ancestral ways of knowing and being, this introduction draws on community, collaboration, and consciousness-raising for audiences within the academy and beyond.
27#
發(fā)表于 2025-3-26 04:49:26 | 只看該作者
28#
發(fā)表于 2025-3-26 10:19:07 | 只看該作者
Black Women Academics and Senior Managers Resisting Gendered Racism in British Higher Education Instnces of the authors. The womens’ narratives reflect notions of resistance and resilience, which coalesce around themes of challenging visibility and invisibility, negotiating institutional power and the use of their networks in sustaining their survival.
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發(fā)表于 2025-3-26 13:31:13 | 只看該作者
Gettin’ Free: Anger as Resistance to White Supremacy Within and Beyond the Academyn race backtalk in the academy has invoked this stereotype and how anger regarding oppression and injustice has historically been and continues to be an effective tool of resistance against white supremacist and patriarchal domination.
30#
發(fā)表于 2025-3-26 17:18:04 | 只看該作者
,: Staging [State] Intimacy and Betrayal in ‘Performance of Literature’ans to layer self-knowledge, intimate relationships, social injustice, and state violence in performance. Inspired by Black writing and performance workshops, the students moved swiftly from the personal to the structural as a confrontation with the impacts of state violence and oppression in honor of citizens recently slain by U.S. police.
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