Titlebook: Black Masculinity on Film; Native Sons and Whit Daniel O‘Brien Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 cinematic bla

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Zurechnung des Schadens, Kausalit?tiberate racialised erasure carried over to the screen. Low-budget Westerns for black audiences were produced independently yet African Americans remained peripheral and often invisible in mainstream Westerns until the 1960s.

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Vertrauensschutz und Allokationseffizienz,o match those of the highest-paid white stars. Given his earlier success in music and television, Smith’s film career, which took off in the mid-1990s, can be characterised as a form of media diversification that both plays on and, for some, plays safe with his established star image (cf. Palmer in

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https://doi.org/10.1057/978-1-137-59323-8cinematic black masculinity; colonialism; gender; race; African cinema; European cinema; African-American

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Daniel O‘BrienOffers wide-ranging commentary on depictions of the black male in mainstream cinema, American and European.Explores counter-representations of black masculinity which challenge racial stereotypes, exh

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