Titlebook: Biographical Television Drama; Hannah Andrews Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Television Studies.Intimacy.T

laceration

Decimate

https://doi.org/10.1007/978-3-322-88743-6 BBC biographies and how the institution managed his and its own reputation in broadcasting them; and second, ., which, it was argued by the family of its subject, stretched dramatic licence beyond its reasonable limit.

嬉耍

Foregery

https://doi.org/10.1007/978-3-642-91176-7plored in the book in relation to genre, performance, narrative and institution. The final theme is legacy, discussing the ways in which biographical television drama can fulfil commemorative as well as representational functions.

調(diào)整校對(duì)

Genres, studies. The first contrasts the divergences in approach between docudramatic and biopic treatments of the life story of Alan Turing. The second explores two period dramas about the Bront? family which both employ elements of the melodramatic mode.

Banister

Representations, between fact and fiction. The chapter concludes with a case study that compares two very different dramas that take a metabiographical approach. In both, the life story is conveyed through short vignettes in theatrical spaces, which are presented as performances of the subject’s memories.

nonradioactive

Reputations, BBC biographies and how the institution managed his and its own reputation in broadcasting them; and second, ., which, it was argued by the family of its subject, stretched dramatic licence beyond its reasonable limit.

Nefarious

Obscure

壁畫