Titlebook: Binding and Unbinding Kink; Pain, Pleasure, and Amber R. Clifford-Napoleone Book 2022 The Editor(s) (if applicable) and The Author(s), und

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做方舟

“,”: Submission, Pegging, and Coprophilia in Nina Hartley’s Fan Mail Archivetful, and perhaps entertained recipient of their sexual fantasies. Personal letters like these might be regarded as “the intimacy of heart and mind speaking to heart and mind across distance” (Kenyon, .. Gloucester, UK: A. Sutton, 1992, p. viii). The majority of Hartley’s oeuvre is located in the ma

讓空氣進(jìn)入

Binge-Drinking

‘When I lose my virginity, I want to be on my period’: Kink, Abjection, and Female Adolescent Sexualeuroses, this chapter examines how menstrual blood, bodily fluids, and masturbation are presented as agents of sexual empowerment for adolescent characters as well as for viewers. Additionally, transgressive cinema’s and the alt-porn movement’s controversial roles in provoking the need and space for

混合

WAG

Visions of Femdom, Old and Newppealing to women. I explain the difference between professional and “l(fā)ifestyle” femdom. I describe the gendering of BDSM dominant/switch/submissive roles in the BDSM subculture, highlighting the framing of feminine dominance and masculine submission. I explain some of the reasons why common femdom

使厭惡

江湖郎中

Playing with Dirt: Further Notes on Mundanity and Kinkl network, Fetlife. Over the course of each section, the essay will flesh out the layered meaning of mundane, arriving at an articulation of what precisely is queer about kink, beyond the self-identifications of its practitioners. The engagement with these discursive moments comes from the methodolo

Meditative

“A Mistress, Her Slave, and Their Queen: Black Leatherwomen and the Networked Family.”men in BDSM, kink, and fetish communities as engaging a practice of erotic kinship that embodies an ethics of care. It will be informed by my primary research as the 2017-2018 Visiting Scholar at Chicago’s Leather Archives and Museum (LA&M). The LA&M is a public resource dedicated to making the marg

Commonwealth

Random Sequence Model for Nonlinear Systemsing SM that circulated between 1979 and 1983, I posit that some of Preston’s editorial changes reflect the virulent anti-SM discourses within gay, lesbian, and feminist political movements of the time. This analysis of race, class, and other power relations in . demonstrates how Preston, like other